2014
‘The Sum of all Possibilities’ is characterized by an apparent infinite process of metamorphosis which is in reality a 12 minutes loop with a limited number of combinations, recalling the usual circular path of the viewer around the object.
By definition, a sculpture can’t be seen from each point of view simultaneously and can be grasped in its totality only through the act of moving around it. ‘The Sum of All Possibilities’ is thus a playful yet subversive commentary on the nature of the sculptural form, highlighting the close and paradoxical relationship between time and perception, movement and finitude, form and flux.